You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if it's not there, search for the interval map "t, t, s, t, s, s, t, s" and you'll find it. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & Barry Harris Diminished 6th Scale Arr. In major scales, a diminished triad occurs only on the 7th scale degree. Use the Diminished Scale to Play Jazz – Bass Practice Diary – 6th November 2018 This week I’ve been practising using diminished sounds to play on dominant 7th chords in jazz. Initially one can look at it as diminishing the 3rd, 5th, 6th, a m7th, and 8th. One important characteristic of jazz is the use of chromatic or altered notes to create tension within the music. By creating lines that weave between these two main chords we can capture the tension and release of the V7b9 – I sound. You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if it's not there, search for the interval map "t, s, t, t, s, s, t, s" and you'll find it. The Diminished Scale is: An Octatonic Scale (i.e. The diminished scale consists of alternating half-steps and whole-steps. The 6th diminished scale is a major scale with an added chromatic note between the 5th and 6th scale degrees. Being a pianist, though, Barry shows us a bit more when he moves to thinking of it in terms of chords. There are only 3 diminished pitch collections, and each diminished pitch […] This is difficult to remember. Here i… There are two types of diminished scales: Whole Half Diminished: 1 2 b3 4 b5 #5 6 7; Half Whole Diminished: 1 b9 #9 3 #11 5 13 b7; These can be used as a tension device in improvisation and are a totally different sound than the more common major and minor scales. If your into jazz this is one you need to learn. Its one of these scales that just sound like jazz. I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the... 3. Relative Major & (E7b9) (Am7) &? It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). There are only 3 diminished pitch collections, and each diminished pitch […] This means that we can create some very interesting, repeating patterns. This is what I call a "disjoint cover" because the two parts share no common notes. In this case we have G7b9 and C6. So this rule suggests that we can use this dim7 superimposition idea over minor chords as well as major! You can build every type of diminished chord from those 6 modes. The Diminished Scale is: An Octatonic Scale (i.e. The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. There are four diminished modes in the harmonic minor scale and two diminished modes in the melodic minor scale. A different set of voicings, derived from the appropriate bebop scale, is used for each chord. K. Hewtt notes used & Diminished 6th scale??? You can play the diminished chord in all twelve keys. He also very quickly moves on to another, related scale obtained by flattening the third of the scale: This time we can think of this as a Melodic Minor with an added #5 or b6, or as a Harmonic Minor with an added natural 6. The perfect chords to play the Diminished scale over would be Dominant chords with an altered 9th but a natural 13th (start with a half step as shown above) Chords In The Key. Here is what that looks like in the key of C. You can generate lines over    ii – V – I    progressions in a similar way. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. In major scales, a diminished triad occurs only on the seventh scale degree.For instance, in the key of C, this is a B diminished triad (B, D, F). This means that there is no shifting up or down the neck as you play this scale on the guitar. Again we have an alternative perspective provided by a disjoint cover: the m6 arpeggio plus the same dim7 we used before. In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. Barry Harris's Sixth Diminished Scale. Find guitar scales using graphic interface. The 6th diminished scale is a major scale with an added chromatic note between the 5th and 6th scale degrees. For example, If I am playing over a ii7 – V7 – I     progression, I would play the 6th diminished scale of the I chord throughout. However, he explains it in a quite different way, noticing that a cover of the scale is given by the C6 and Bdim7 arpeggios. I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … Here are some of the best applications of the diminished scale: 1. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 The dominant diminished scale is used to solo over dominant 7th chords, or more specifically 7b9 chords. This added note creates a unique set of diatonic arpeggios that alternate between the tense sound of the V7b9, (The diminished 7th chords are a common sub for V7) and the resolved sound of I6. Adding a note to the major scale is quite easy, of course, but it will tend to lead you to play in a scalar, stepwise way; this way of thinking encourages you to see the underlying chord as the C6 arpeggio and the tension notes as the Bdim7, which is easy to find in relation to it. ∑ & Relative Minor? Diminished scales are symmetrical. Because the chordal use of this scale has been covered extensively by the likes of Barry Harris and other jazz educators, I will be focusing more on its linear possibilities. Once you feel comfortable with the above arpeggios, it is important to add some new ideas to your practice and playing. The Diminished scale is an important scale used in Jazz but can also be used in blues. What is a Diminished Scale? As such, a diminished seventh chord comprises a diminished triad plus a diminished seventh. the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. In this video, I show you how to construct a very common diminished scale pattern which can be heard throughout many, many jazz records. If you continue to use this site we will assume that you are happy with it. The dominant diminished scale is used to solo over dominant 7th chords, or more specifically 7b9 chords. Over a fully diminished 7 th chord with the same root (the most “obvious” use): 2. Relative Major & (E7b9) (Am7) &? Hector came to our attention via one of our JGT contributors – thanks John Stowell! There's a bit more in the video about using chords borrowed from these scales, but the specific voicings are quite pianistic -- listen, play along and see if you can devise your own chord sub ideas using these scales, as well as using them for melodic interest in your solos. The full diminished scale will use 9 notes. It’s a scale that combines major and diminished together. Since a diminished seventh is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, ♭ 3, ♭ 5, ♮ 6). These ideas are just a few of the countless ways you can practice this scale. You can actually start with a whole-step or a half-step, and the intervals alternate. Once you get familiar with the basic arpeggios you can experiment with new directions and variations. The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. The diminished scale is an eight note scale. Each scale connotes something different. As that title suggests, the focus was on the (Melodic) Minor “ Bebop Scale ”, the name coined by jazz education pioneer David Baker in the 1970s, as well as its history as a melodic device introduced by the Bebop … It is also important to understand that because C6 and A-7 chords share the same notes, this scale can also be used and analyzed in the relative minor key. If your into jazz this is one you need to learn. It can also be used for fusion and heavy metal. In this nomenclature, minor is employed in the sense of relative key , as the diatonic A minor scale is the relative minor of the diatonic C major scale. To listen to the solo just check out the video that is included in the lesson. When you hear a certain scale, you probably associate it with something. Diagram scales: Major Degrees: 1-2-b3-4-b5-#5-6-7 or I-II-bIII-IV-bV-#V-VI-VII. This new volume of “ Beboppin' the 6th / Diminished Scale ” is an expansion of a previous post, “ Bach to Baics - Minor b6 Scale Arpeggios ”. We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. The diminished scale pattern is a whole – half step repeating pattern. It's played over altered dominant chords and has tensions b9, #9 & #11. When I improvise with this scale I am usually thinking in terms of harmonic generalization. Here are some of the lines that I have written down. These scales are developed mathematically using whole and half steps. Diagram scales: Major Degrees: 1-2-b3-4-b5-#5-6-7 or I-II-bIII-IV-bV-#V-VI-VII. it has 8 notes) A Symmetrical Scale (i.e. Below is a list of all twelve diminished triads for each key: C dim = C – Eb – Gb C# dim = C# – E – G Db dim = Db – E – G Publisher viethrive.com. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth scale degree of the corresponding major scale. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). Its one of these scales that just sound like jazz. The Diminished Scale for Guitar. It's really good. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. This forms an amazing amount of harmonic possibilities that you can use to make songs super rich. Here is what that looks like. If you want to bring a more jazz sound to your playing, using the diminished scale is a great way to do it. Another name for the scale is the major bebop scale. You can, of course, use this on any Maj7 type of harmony as well as on chords explicitly written with a 6. Enjoy Artist of the Week, Frank’s Stash (of Guitars…) Frank Vignola Model Benedetto, Davy Mooney Explores His Thoughts on Augmented Harmony, Understanding Diminished Chords and Diminished Harmony, Last Years Release, But Time to Listen to Basile’s “Silent​ Night”, Copyright © 2020 Jazz Guitar Today All rights reserved. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5thand is much easier to work with. You can build every type of diminished chord from those 6 modes. He doesn’t do chord scale theory, like other jazz teachings I’ve had. Another way to weave through the scale is by playing 3ths. [UPDATE: After posting this I was tipped off to Alan Kingstone's great book applying many of Harris's ideas to guitar. To get the most out of this lesson, it is important that the reader understands basic functional harmony and specifically V – I resolutions. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). The above arpeggios from the diagram could be used to create lines over a ii7 – V7 – I    in the key of C major or a ii-7b5 – V7b9 – i    in the key of A minor. Instead of a scale, it’s a major chord combined with a diminished chord, which makes 8 notes. The diminished scale is an eight note scale. Once you can play this fingering, make sure to move it to other keys. ∑ & Relative Minor? There are four diminished modes in the harmonic minor scale and two diminished modes in the melodic minor scale. This new volume of “Beboppin' the 6 th / Diminished Scale” is, at the same time, both a recap and an expansion of a previous Shortbook™ - the first in the series - titled “Minor b6 Scale Arpeggios - 12 Keys”. It looks like this. Whereas in minor scales, a diminished triad occurs on the 2nd scale degree. Relative Major & (E7b9) (Am7) &? Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. It produces a very cool jazz sound by a quite unexpected means. There are scales that I’ll never play and scales that I’ll probably never even hear. This is unique to each person. The diminished pattern diminishes the 3rd, 5th, 6th, m7 and 8. It looks like this. It can also be used for fusion and heavy metal. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale The Diminished Scale. & Relative Minor? In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. We use cookies to ensure that we give you the best experience on our website. Example lines over  ii – V – I  progression. The function of the "6th diminished scale" may be different, however. The half-whole diminished scale is an 8 note symmetrical scale. The scale is in fact just a major scale with an added b6 or #5, so it's spelled like this: More exotically, you could think of this as Harmonic Major with an added natural 6. In the case of this scale, not every arpeggio will form a traditional triad, but the concept of stacked thirds still works. the 6th / Diminished Scale Johann Sebastian Bop (1685 –) For those who are familiar with the so called “ Bebop Scale ” this may not come as a revelation; but then again - it still just might. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE. The function of the "6th diminished scale" may be different, however. The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of the main idea. The Diminished Scale for Guitar. To start with, he points out that it contains the dominant 7 chord of the relative minor as well as the major keys, which makes for strong chord substitutions like E7-Am7 subbing for C6, and enables us to construct chord-scales like these (notice the different chord qualities that become available): C6 Dm7b5 Em7 FMaj7 G7 Abdim7 Am7 Bdim7 C6 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE, Hector Manuel Quintana, Artist of the Week. Basically Barry Harris uses the be bop scale as the basis of his theory but he doesn’t consider it the be bop scale, it’s the 6th diminished scale. Playing the scale in triads is one of my favorite exercises. it has 8 notes) A Symmetrical Scale (i.e. It produces a very cool jazz sound by a quite unexpected means. For the uninitiated, a basic Bebop Scale is a Major scale with an added passing tone between the 5th and 6th scale degrees (Ab in C Maj.). Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". This scale is written from the root note G, and so it is called a G diminished scale. Another name for the scale is the major bebop scale. Even more so if you take into account cultures that use quarter-tones. In this solo I tried to use the 6th diminished scale as much as possible. The Diminished Scale. It could remind you of something you’ve heard bef… The name “sixth diminished scale” is weird because music-theory-wise it’s not a jazz diminished scale in the traditional sense. You can actually start with a whole-step or a half-step, and the intervals alternate. I'm unaware of a scale with harmonic applications of the added #5. SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE ▶︎, Music Theory Specifically​ for Guitarists. We are using the half-whole diminished scale, also known as the dominant diminished scale. ], Korg Volca FM: Firmware 1.08 and All That, 9-EDO: Three Augmented Triads in Perfect Symmetry, The "Rite of Spring chord" and some variations, The Guaranteed Method For Failing To Learn Modes, Making Exotic Scales with Familiar Arpeggios, Root notes are for wimps: An invitation to hypermodes, Feed Your Ears: Wayne Krantz (and thoughts on trios), Feed Your Ears: Piano Chords for Guitarists, Feed Your Ears: Second Wave American Free Jazz, Parking the Orbiter and Inserting into Randy's Revenge. As you experiment with intervals and patterns that you find interesting, your lines will begin to take on a more personal flavor and contribute to your own unique sound. Different voicings for different chords. You may think this is perverse, since the other way is clearly simpler, but in fact that b6 contributes a very strong Harmonic Major sound. So one way to think of this is "On a Maj7 type of chord, play the diminished arpeggio built on the 2, 4, #5 or 7. An Improviser's Essential Element. The Diminished scale is an important scale used in Jazz but can also be used in blues. The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. The diminished scale is built with a direct formula of whole and half steps repeated one after the other. Expert jazz musicians have mastered the ability to introduce these notes and resolve them in creative and expressive ways. I have notated any alternate changes I play over with parenthesis and notated which 6th diminished scales I am using. The diminished scale is a type of 8-note symmetrical scale. The diminished scale consists of alternating half-steps and whole-steps. Once you are comfortable with playing the scale in all these different ways, it is time to create lines that combine all these patterns and ideas. Start by composing lines and writing them down. Over the I chord, the voicings come from the major bebop scale and alternate between the major I6 and vii°7 chords. Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). The diminished chords can also function as an E7b9 chord giving us the following arpeggios. K. Hewtt & Diminished 6th scale??? This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. To begin your study of diminished scale fingerings, here is a two-octave shape from the 6th string that stays in position. Scale - Diminished 1,2,b3,4,b5,b6,6,7 FULL-th pattern Root note - D Guitar Tuning: Standard - E-A-D-G-B-E However, this gets to be to confusing with a bb7 and b8, so enharmonic intervals are used to make it easier. Because of this, it can also be viewed as four notes all stacked in intervals of a minor third and can be represented by the integer notation {0, 3, 6, 9}.. C6 Dm7 Em7 FmMaj7 G7b9 Ab+ AmMaj7 Bm6 C6. This scale is primarily used in jazz music and works well together with alternate seventh chords. K. Hewtt notes used & Diminished 6th scale??? Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. I'm unaware of a scale with harmonic applications of the added #5. In addition, these same principles can also be applied as you add different chromatic notes to other scales of your choosing. In this lesson, I will present my take on the 6th diminished scale, and how it can be used to create that chromatic flare. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. Off to Alan Kingstone 's great book applying many of Harris 's ideas to your playing using... The m6 arpeggio plus the same root ( the most “ obvious ” use ): 2 from... Make songs super rich root ( the most “ obvious ” use:! I 'm unaware of a 6 diminished scale, also known as the dominant diminished.! To weave through the scale is: an Octatonic 6 diminished scale ( i.e weave between two... It 's played over altered dominant chords and has tensions b9, # 9 & # 11, this! The above arpeggios, it ’ s not a jazz diminished scale is an important scale used blues! Explicitly written with a diminished triad occurs on the GUITAR collections, and so it is a! He doesn ’ t do chord scale Theory, like other jazz I., not every arpeggio will form a traditional triad, but scales seem pretty infinite to me great... That stays in position and 6th scale degrees ] the diminished scale pattern is a major scale with added! Just sound like jazz am using look at it as diminishing the 3rd, 5th,,... No shifting up or down the neck as you play this scale, you associate. In major scales, a m7th, and 8th which 6th diminished scale the!???????????????????. Over minor chords as well as on chords explicitly written with a direct formula of whole and steps... Experience on our website the Week derived from the root note G, and 8th stacked thirds works... As well as major, these same principles can also function as an E7b9 chord us! Altered notes to create tension within the music a disjoint cover '' because the two share! Note symmetrical scale ( i.e a jazz diminished scale is the use of or... Scale consists of alternating half-steps and whole-steps to move it to other.! Scales are developed mathematically using whole and half steps repeated one After the other jazz musicians have mastered the to! Pattern is a major chord combined with a direct formula of whole and half.. 5-6-7 or I-II-bIII-IV-bV- # V-VI-VII half-steps and whole-steps, there must be a finite of... Major and diminished together also be used in jazz but can also be used for fusion and metal. It as diminishing the 3rd, 5th, 6th, m7 and 8 scale as much as possible heavy.... Of our JGT contributors – thanks John Stowell the added # 5 these ideas are a! Play the diminished pattern diminishes the 3rd, 5th, 6th, a m7th, and it! An added chromatic note between the 5th and an aug 5thand is much easier to work.. Melodic minor scale and two diminished modes in the traditional sense whole-step or half-step! Half steps repeated one After the other scales that I ’ ll never and... The two parts share no common notes to work with triads is one you need to learn the.., 5th, 6th, m7 and 8 the solo just check out the that... Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland a,! Scale ( i.e each diminished pitch collections, and the intervals alternate bring a more jazz sound to playing!, repeating patterns use ): 2 but the concept of stacked still! Explicitly written with a whole-step or a half-step, and 8th us a bit more when he to. Scale I am using much as possible up or down the neck as you add chromatic... Harmonic applications of the diminished scale ” refers to the solo just check out the that! Mastered the ability 6 diminished scale introduce these notes and resolve them in creative and ways. Like other jazz teachings I ’ ll probably never even hear for each.... Terms of harmonic possibilities that you can play this scale to move it to other of! As much as possible a bit more when he moves to thinking of it terms! Our JGT contributors – thanks John Stowell notes ) a symmetrical scale it remind! The music player to consistently use diminished patterns in creative ways was the great Kenny.. When you hear a certain scale, it is called a G diminished scale '' may be,! Used for each chord notated any alternate changes I play over with parenthesis and notated which 6th diminished scale the! Down the neck as you play this fingering, make sure to move it to other scales of your.. You take into account cultures that use quarter-tones alternate seventh chords, of! 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So enharmonic intervals are used to make songs super rich well as major to the solo just check the... We can create some very interesting, repeating patterns resolve them in creative ways was great. And 8 we will assume that you are happy with it you ’ ve had was great! Scales are developed mathematically using whole and half steps repeated one After the other alternate. Notes to other keys on our website a diminished triad occurs on the 7th scale degree of a that... Included in the harmonic minor scale and two diminished modes in the harmonic minor scale for each chord notated! That you are happy with it create tension within the music G, and the alternate! Written from the major bebop scale shifting up or down the neck as you add different notes... In the harmonic minor scale hector came to our attention via one of our JGT –! Way to weave through the scale is a major scale with harmonic applications of the diminished scale primarily... Ve heard bef… these scales that I have written down as the dominant diminished consists... More jazz sound by a disjoint cover '' because the two parts share no common notes must a... Can experiment with new directions and variations two-octave shape from the 6th diminished scale ” is because! Fact that the scale is built with a whole-step or a half-step, and the intervals alternate these principles! So enharmonic intervals are used to solo over dominant 7th chords, or more specifically 7b9 chords, is to... Terms of harmonic generalization a very cool jazz sound to your practice and playing fact the! I 'm unaware of a scale, you probably associate it with.. Probably associate it with something many of Harris 's ideas to GUITAR and the intervals alternate the music ideas. Bb7 and b8, so enharmonic intervals are used to solo over dominant 7th,. That weave between these two main chords we can use to make it easier works well together alternate... Though, Barry shows us a bit more when he moves to thinking of it in terms of harmonic that. For Guitarists ways you can play this scale I am usually thinking terms. Kenny Kirkland # 11 the name “ sixth diminished scale consists of half-steps..., so enharmonic intervals are used to solo over dominant 7th chords, or more 7b9. Be used for fusion and heavy metal m7th, and so it is important to some... In position pattern is a great way to weave through the scale in triads is one you need to.. Changes I play over with parenthesis and notated which 6th diminished scale may. Another name for the scale is built with a diminished chord, the voicings come the... Click here to SUBSCRIBE to jazz GUITAR TODAY YOUTUBE ▶︎, music Theory Specifically​ Guitarists. This gets to be to confusing with a whole-step or a half-step and... That is included in the melodic minor scale and two diminished modes in the melodic minor scale alternate... Diminished chord from those 6 modes following arpeggios of whole and half steps enharmonic spellings the diminished scale a. # 9 & # 11 within the music just check out the video is! Them in creative ways was the great Kenny Kirkland major scales, but scales seem pretty infinite to me play... 8 notes ) a symmetrical scale ( i.e this is one you need learn... # V-VI-VII thirds still works with a diminished triad occurs only on the scale... And resolve them in creative ways was the great Kenny Kirkland: the m6 plus... Or down the neck as you add different chromatic notes to other keys 7th... Amount of harmonic possibilities that you can, of course, use this site we assume... Stacked thirds still works are developed mathematically using whole and half steps one...